Family Portraits: Ypelaar Siblings

Family Photography in the Humber River Valley, Toronto

Last month I ventured into the Humber River Valley with the Ypelaar siblings. I actually really love this type of fall/winter vegetation, where everything is sort of dying and wasteland-looking. It makes such great scenery! I really love it. This park is a place where these siblings always come on adventures and walks and they seemed right at home as we ventured through the park. We got chased by ducks, had some yummy coffee and Greek food, and laughed a ton. It was so much fun!!! I’ve never taken photos for adult siblings and I was a little nervous–how do I catch them naturally? What will we do? Can I make them laugh? They didn’t even need me. They just made each other laugh. We were there until the sun went down; a great afternoon! So here are some shots from our adventure.

 

For other family photos, check out my time with Erin & Pete or Leah & Caleb (kids all included)!


My Favourite Photographers: Fred Herzog

It’s been awhile since I managed to write about another of my photographic influences (like… 5 months). As I say in almost every blog post: school is crazy! Life is crazy!

Just to recap: I started these blog posts because all photographers have their influences. For me, it’s important to talk about and share those people throughout history who have inspired me. My first post about Vivian Maier explains my feelings in further detail!

 

Who is Fred Herzog? 

Fred Herzog was born in 1930 in Germany, but had to be evacuated as a child during WWII. His parents died during the war and he found work on ships until he emigrated to Canada in 1952. He moved first to Toronto, then Montreal, and finally Vancouver. He primarily took photographs of Vancouver, BC; this might be why I feel such a strong pull and connection with his photographs, since I lived in Vancouver for 6 years! He is a street photographer and I love his ability to capture remnants of Vancouver that are no longer around, particularly the infamous neon light signs on Granville Street.

Photography

Fred Herzog’s street photography focuses on working class people and their environment, primarily the city. He worked with slide film, in color, which somewhat limited him from exhibiting since most photographers were shooting in black and white. He hasn’t been recognized really until the 2000s, despite his prolific work since the 50s. Unlike Vivian Maier, who I talked about last time, he did not include himself in his photographs or take many self photographs.

His photos do not need people in them; he also takes photographs of buildings and streets, the echoes of humans and their movements in all of his photos.

A lot of his photographs are portrait, or vertically shot. I find this absolutely fascinating. It helps in numerous occasions: to define the height of the buildings and make the photographs feel like you’re walking down the street; to get most of the body of a person when he shoots; and captures most of posters, windows, etc. Going through his photographs you’ll definitely notice an affinity for vertical photographs. Just a little tidbit!

Why Herzog is a Favourite

I find that Herzog is an astute photographer, able to capture and see humanity no matter where he is or what he photographs. These shadows, these traces, these small glimpses, are what draws me in to Herzog’s photography. He also takes many photographs in Vancouver’s Chinatown, which is my favourite part of the city!

 

I love when he photographs people but just as much I enjoy his photographs of light, shadow, and color. The way he uses architecture to create photographs is something that I am fairly certain I’ve taken and run with in much of my street photography. There is nothing I love more than a good staircase or doorway that tells the story of a neighborhood or building. Herzog’s photography makes me see and feel just how important location is to a photograph. His work also makes me yearn for an older Vancouver I never knew, but feel like I do at the same time… somehow?

The colors are so rich (Kodachrome!) and I love how even when he takes photos of empty street corners it feels like someone has just turned the corner, their arm or leg disappearing just out of frame. Herzog has a natural ability to capture the bones of a city, the essence of a time. Going through his photographs is like going back through time. I can’t get enough of them! I even have some of them hanging up on my wall and they act as daily inspiration.

 

Who are some of your favourite photographers? Who do you find inspiration from to take photographs or to appreciate a good view? Let me know in the comments!

 

All photographs taken from the Equinox Gallery website.

More resources on Fred Herzog

Books:

Fred Herzog: Modern Color


Wedding: Sarah & Mark

One Island Lake Wedding

On July 22, Sarah & Mark got married. It was my first wedding. I shot for 14 hours and my hands were little claws by the end of the day. It was so fun and amazing and scary and great! I have known Sarah since we were maybe 3 years old and even though we hadn’t talked in a few years, it was lovely to shoot the wedding of a friend, especially one who remembers you in your kool-aid stained lips and bowl haircut days and still somehow believes in you.

These two are the best. So laid back and warm, offering me drinks and bug spray and a couch to sleep on. The wedding took place at Sarah’s family cabin at One Island Lake in BC, a place I even went in my younger days! Everyone at the wedding was kind and casual. The ceremony was sweet, the bridal party ready to actually party, and the dancing went on late into the night. I cried and laughed behind my camera the whole day. These two are so comfortable and happy and you could just feel their joy throughout the whole day! Nothing mattered except their story. One of the greatest parts of the day was seeing 30 or so friends and family help setting up outside while the bride and groom were busy getting ready and just having a relaxed morning. You could sense that community vibe throughout the entire day. I can’t thank Sarah and Mark enough for giving me a chance!

Dress by Castaspella Boutique

Suits by Moores

Everything else by the bride & groom and their friends & family! WOW!

 

 

 


Technique Tuesday: Setting up a Photo Exhibit

Earlier this month I got the chance to hang some of my photographs up at Mitzi’s Cafe in Parkdale in Toronto.

Please ignore my weird half-closed eye and look at the photos instead.

It was a bit of a whirlwind and definitely a learning curve for me, as I haven’t done this before and it was all done in the span of 4-5 days! This includes choosing photographs, buying frames, and getting practice prints and real prints done on time.

However, it all worked out in the end (with a few obstacles that were overcome). It was so exciting to take my visiting parents there this weekend and see my photographs surrounded by bustling crowds in the cafe! I felt really proud of what I had done, and more than anything it made me realize that I would love the chance to show more work.

I thought it would be interesting to make a blog post showing some of the process (I documented it all with my phone so that I would remember!) as well as some of the issues.

1. If things go wrong, that’s okay

The afternoon of I realized that three of my frames were broken, probably from earlier in the day when I had had to carry all 8 onto the subway and someone pushed me into the garbage cans–cool, thanks person. However, I didn’t realize until only a few hours before I was to put them up; PANIC. Luckily, I had time to race to Michael’s and grab new ones, however… there were only 2 stores in Toronto that had the ones I wanted, and they were both a bit of a ways away from the cafe.

2. If your plans have to change, that’s okay too
3. If it’s your first time exhibiting, make sure it is a relaxed place! 

I was infinitely lucky to have Sasha, the owner of the cafe, be the chillest man I have ever met. He was very kind and totally okay with many of the problems I had to attempt to deal with.

4. Bring a friend to help

Without the aid of my friend Erin, I would have had to somehow measure, level, and creatively decide how to hang 8 16 x 20 frames having never done it before. Luckily she was there to help me plan what would go where, hand me the tape measure, the level, etc. A lifesaver! It also helps so you know your idea is looking okay (or not).

5. Be prepared… like too prepared

I was naive and a bit cheap when I purchased the adhesives that I used to stick the frames on the wall. The frames are light! I only need one per frame! Easy peasy! Until the next day when a message from the cafe told me some had fallen off the wall. They were okay, but I decided to go in at 7 AM the next day and fix it.

Not only that, the morning I came in prepared, even more had fallen! I felt miserable and embarrassed. My hands kept shaking (!).

Then again, it’s all a learning experience. And now I am SO PREPARED for the next one! Tools are not enough. Overthink every step and be overprepared. You will not regret thinking of everything that could go wrong. I didn’t, and then everything DID go wrong (some other obstacles not mentioned for the sake of brevity).

However, I am so proud of the end result!

This set features 8 photographs from my time in Peru in 2012. I hope that these shots can share some of the experiences I had on the streets of Arequipa, Cusco, and in the north near Trujillo. They will be up until July 30th!

The Process

The first thing you have to do is see the space (or at least get rough measurements), envision your work, and think about how you can make it happen. Remember to plan it in stages, as all at once can be overwhelming… particularly when you have to do it on a short timeline! Breaking it up into small doable steps is possible though, and things mostly work out. 😉

Before I had frames or prints chosen, I went to the location and did rough measurements (like with my eyes only since it was a cafe that was open and had customers) of the space and took photos. Then I jotted out ideas of different framing and layouts. I ended up with the more classic exhibit layout, only because of the space, my budget, and symmetry.

Once I knew I wanted them all to be the same size, I had to decide which size with the wall only a memory and a photo on my phone. I made my own versions (with totally accurately sized images of course) and hung them up on my own wall to try and judge which I liked best. I went for 11 x 14 prints so that you could see them when you walked into the place.

So when I knew the print size and the idea of the layout in my mind, I went frame hunting. I ended up getting a simple frame with only one matte, because I liked the space it gave the photo to speak for itself. However it was time consuming to try and decide and figure out which worked with what. Then I had to traverse to the faraway stores that actually had the frames. Here is my dining room where I laid them out playing around with them. Guest starring my Swiffer!

This took awhile, only to gather the frames. In all of Toronto there were only two Michaels that had them. Again, with the help of my dear friend Erin, she accompanied me to the Michaels way out in Scarborough to pick up the originals (not including my detour to the Michaels up in York to get the replacements the day of…). This probably took up the most time/stress. Plus, 8 of these in one bag is SO HEAVY. The bag was ripped to shreds by the end and I was just hugging them desperately on the streetcar to keep them from falling all over the place.

I then got some test prints done to make sure they looked okay at the size. For these I went to Walmart as it was only overnight, cheap, and if they ended up looking awful it wasn’t a huge loss. Here I just taped it overtop the still wrapped frame to get an idea of what it would look like.

Once I was pleased I sent my photos to be printed at Downtown Camera, who–with a phone call from me sort of begging–managed to get them printed the afternoon I needed them, which was a day earlier than originally scheduled for the prints. What a great company!

Be sure to put up a label that has all of your contact info on it! I opted out of signing and dating my prints/mattes, as I wanted the photographs to simply be. This was my sneaky alternative in case anyone was interested in my work. Notice my lovely hand drawn logos…..

The setting up process is always a bit messy. Make sure to have pencils, a tape measure, a level, and your hanging devices. There will be lots of math, calculations, and re-measuring. It is a bit time consuming and your arms feel like jelly after but it is so exciting to be there and see your prints up on the wall, one by one!

So there’s my little blog post on how my Mitzi’s Cafe Peru photo set went up for the month of July, 2017; one of the most exciting/stressful/fun things I’ve done this summer!


My Favourite Photographers: Vivian Maier

Welcome back to the blog!

Some exciting news. Along with my Technique Tuesday posts, I will also be starting up two new columns: My Favourite Photographer, where I go over some of the influences and inspirations I carry around with me, and Exhibit Visits, where I will be visiting photography shows throughout Toronto and writing about them. Since I now live in such a vibrant arts city I thought it was about time! I will be posting at least once of each per month, so expect to read a lot more of me! I am also mulling over a third, but it’ll be a surprise…

Along with these, I will also continue my standard blog posts about shoots, travels, and so on.

So let’s get started!

Why Favourite Photographers?

So why would I want to start something like this? Well, all photographers find inspiration in others’ work. When I lived in England about four years ago I took a class on American Photography, which encompassed many of the greats. I was amazed at the history of photography and how influential some of these photographers were without me even realizing it. It was sometimes beautiful, sometimes ugly, sometimes tragic, sometimes hopeful, but all of the photographs told me one thing: that photography, at its core, is inspiring. And even to this day I frequently look back at old photography to try and really feel it. My copy of The Americans by Robert Frank is one of my most prized possessions. THUS, I thought it would be fun to write up about and share the work of some of those I love the most. Maybe it will encourage all of my fellow photographers to think about their influences and the type of photography that truly captures them!

Who is Vivian Maier

I heard about Vivian Maier probably five years ago or so when I saw a giant book of her photos on display at the bookstore I used to work at. Once I heard about her life and gazed at her photos for hours, I knew I was hooked. I frequently look through her photos just because it is such a treat. The main thing was: no one saw her photographs until close to her death, when rolls of film were found hidden away in a storage unit and sold to several buyers; however, none really evoked reactions. Only after her passing in 2009 did she reach popularity as one of the great 20th century street photographers.

Since her death, her photographs have reached international acclaim.

Vivian Maier was born in 1926. She worked most of her life as a nanny, which is evident in some of the photographs she would take of children and on walks with them.

Most of her life is a mystery. She moved back and forth between the USA and France. When she was in her 30s she took a world tour on her own and photographed the journey. Not only did she collect the rolls of film and photographs she produced but also piles of newspapers (some precariously high) and audio recordings of conversations with people she had photographed; a journalist if there ever was one!

 

 

 

 

Her Photographs

Maier had a sense of architecture, light, people, and the relationship between these three characters. Her photographs are some of the earliest that show what could be seen as the “woman’s world”, a world that–at the time–was not well-acknowledged. Her most well-known photographs depict the streets of Chicago in the 50s and 60s. I also like to think she developed some of the best first selfies. She played with the idea of people and the built environment, and also seemed to be interested in those who were down-trodden: many of her photos depict people begging or the working class.

 

Her work has been compared to the likes of Robert Frank, Garry Winogrand, or Harry Callahan (some more of my favorites!).

If anyone is interested in learning more about the mystery that was her life, watch the 2013 documentary Finding Vivian Maier, which also helped generate buzz about her talents.

Why Vivian Maier is a Favourite

There is something absolutely timeless yet completely caught in time in Maier’s photography. What draws me in is her gaze, wondering what she saw and how she saw it. Knowing about her mysterious life and the sad slow decline it reached in the 90s and 2000s, it makes a person even more curious about her. She had such an eye for detail, such a natural ability to capture people and places, and yet to never publish or even make it known to people is such a heartbreaking detail in her life, especially as she grew poorer and poorer as she got older. Why not? Why not share these photographs?

Perhaps that wasn’t what was important to Maier. Perhaps just the act of photographing was enough. The people she stopped to photograph and talk to stay in your mind long after looking at the photograph. They all somehow manage to look suspicious, bemused, at ease, and bored all at once. Maier captures the humanity of her subjects, and the children she cared for make frequent appearances. In these instances we get to see familiarity and comfort. The streets of Chicago have their own personality, and I absolutely adore her use of light and shapes. Maier is a constant source of inspiration I keep going back to. I admire her for her bravery, her creativity, and also her ability to keep this quiet. No one needed it but her. And that makes them all the more magical and real to me.

Camera of choice used by Maier:

First: Kodak Brownie box camera with 1 shutter speed, no aperture

1952: Rolleiflex (throughout 3.5T, 3.5F, 2.8C, Automat, etc.)

 

 

 

 

 

All photographs are taken from the Vivian Maier website: vivanmaier.com

More resources on Vivian Maier:

-documentary Finding Vivian Maier (2013)

Books:

Vivian Maier: Street Photographer

Vivan Maier: A Photographer Found

Vivian Maier: Self-Portraits 

 

 


Engagement: Sarah and Mark

Grande Prairie Engagement

Well 2016 ended (literally, the last day of the year!) with an engagement session for Sarah and Mark in my hometown of Grande Prairie, Alberta. It’s a bit of a neat story. Sarah and I have known each other since we were probably 3 years old through play school and our older sisters being Kindergarten pals in school. We grew up making elementary art projects together, gallivanting around school playgrounds, and swimming in the pool (Sarah, being an actual pro swimmer, made her lap around the deep end much easier than me, flailing and bobbing like I did).

As time passed, we went our separate ways and haven’t really spoken for many many many years. So what a pleasant surprise to hear from her about photographing their wedding in 2017! I was so touched and excited and managed to meet up with them over the holiday, which was great! Sarah and Mark are so cute and lovely and were game for anything I suggested, even being jacketless in crazy falling snow and jumping on the spot to stay warm, sitting in the snow and wandering around in the forest. They bounce off of each other so well and are both so sarcastic which is honestly the funniest. They had me laughing like crazy! Hearing them tell me their stories was the best because I could really see and feel their love for each other and did my best to capture that in their photos. Here are some shots from their December 31st engagement session.


 

 


Adventure: Toronto Islands

Several weeks ago I managed to get a day off to take a few hours to go to Toronto Islands! Toronto Islands are a chain of islands just off of the shores of Toronto itself! You have to take a ferry to get out there. It has an airport, summer amusements, beaches, yacht clubs, and get this, some pretty cute old squashed houses! I wasn’t expecting them, for some reason.

I decided to go on one of the chilliest days in late October. I took a ferry across at 3:30. Despite the cold I made sure to stand outside and watch the wake of the boat and the giant city behind me getting a bit smaller as we got closer to the island. Because it’s the off-season, there isn’t much shelter there. So after 3 hours of wandering a bit (I only got through half of the eastern islands because I was taking so many photographs!) I was so cold it was time to hop on a ferry back! I wanted to make sure I got the sunset, and I definitely did. The Toronto skyline is a gorgeous site, I took too many photos! I will definitely be back to the Toronto Islands to check out all the sites I didn’t get to see.

The best part: walking around the back of the island and seeing Lake Ontario look like the ocean, a peaceful still mirror of the sky with giant maple trees dropping their leaves gently into the water.

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Adventure: Kensington Market in Toronto

This past weekend I decided to go outside with my friend Tamara and take a break from schoolwork to take photographs, explore, and learn new things about my neighborhood. I live not too from Kensington Market, which is this crazy neighborhood in Toronto. It originally started as a Jewish neighborhood where small shops started out of the houses; an influx of Caribbean and Chinese presence occurred after WWII and  it has now grown and evolved into a mish mash of great dining, cool little shops, vintage clothing, and intriguing bohemian Rastafarian-inspired places of enterprise. It can get crazy packed but it’s so fun to wander and just stare at people and stores and eat food! For example, I had the most delicious takoyaki (octopus balls) I’ve ever had, just from a little temporary stand in an alley. We also wandered down alleys, found cool graffiti, and all sorts of stuff! I’m excited to get to know this city better. 🙂 Any recommendations for places to go take photographs in Toronto, feel free to let me know!

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Technique Tuesday: Choosing a Lens

Hello! Long live Technique Tuesdays! It has been awhile since I’ve been able to post one; I spent the summer absorbing my last few months in Vancouver before moving to Toronto a month and a half ago. Suffice to say this last month has been CRAZY trying to get used to school again! But being here has sparked my work ethic (haha) so I want to make sure I keep putting these out there for everyone!

The number one question I get asked the most is:

What type of lens should I use?

This is always an intriguing question to me. Lenses can be versatile, but my number one reply to this question is:

The lens is not as important as the person!

I don’t say this with a passive aggressive undercurrent of being like “oh, haha, lenses? How absurd. I am above them.” The only reason I say this is because I want people to know that THEIR eye is more important than the lens eye. A creative angle, thought, or light choice can happen no matter what the lens. I cannot express how important this thought is: depend on yourself and your eye and not your technology.

(I might also say this because I can’t afford new technology… but that’s beside the point!)

OKAY. So you’ve asked me that question and I’ve responded with the above.

The next thing to consider is:

What do you want to take photographs of?

Lenses can be very situational OR they can be very versatile. Here is what I mean:

Most affordable lenses these days are zoom lenses, otherwise known as telephoto lenses. What I mean by that is that it has a ring on the lens that lets you change your distances (or mm). For example, my favorite of these is 18-200 mm, meaning it can go wide and zoomed out at 18mm all the way up to 200 mm, which is closer to your subject. This is very handy and I LOVE my telephoto lenses because they are versatileDownside: their image quality is not as good as a prime lens.

What is a prime lens? A prime lens is a lens that focuses on only one distance. An example of this is my beloved 50 mm. These lenses are often more expensive, but their image quality is gorgeous.

giphy-2Oh George! Buy an SLR! Source.

The NEXT thing to think about is image stabilization (IS). This is your camera’s/lens’ ability to stay still when taking photographs, even when zoomed in (which is tougher). Some companies have IS in their camera body, like Sony. More often than not it will be in the lens (such as Canon and Nikon). This is lame, because the lenses with IS can cost 500+ more than their non-IS version (for Canon L lenses for example). This frustrates me because I feel IS should be in every camera no matter what–common sense? Otherwise, say you have an 18-200 mm zoom with no IS; you zoom in to take a photo of a bird–snap snap–and then it’s fuzzy! It will always be fuzzy unless you have a tripod.

Therefore, it is worth saving that extra bit to get a lens with IS; it will make all the difference! If you do not need this and can deal with never zooming in, always using a tripod, etc etc than you are fine getting a cheaper lens with no IS.

The NEXT thing to think about is f-stop. I discussed this briefly in my Depth of Field Technique Tuesday, however it is worth going over again with my handy very professional graphic:

 

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The circles in the image above show the f-stop on the box. The smaller the number, the blurrier your background will be a.k.a the more “bokeh” your image will have. People love this for portraiture, food shots, insects/plants, basically anything close up where you need your subject to be the main focus.

This is something to consider when buying your lens if you are looking into portrait photography. It may be cheaper to buy the 17-85 mm with the f/4.0, however that means your backgrounds will not get as blurry as say a prime 85 mm with f/1.4, which is a great one for small focus points and blurry backgrounds. So consider the f-stop number you may want when purchasing your lens ESPECIALLY if you think you will be taking portrait photos!

OKAY. So, three aspects of a lens to think about:

  • the zoom/prime
  • the IS or no IS
  • the f-stop number

you may want. These are 3 things I usually think about when purchasing a lens.

To go back to the main question though, you must answer yourself:

What do you want to take photographs of with it? 

This is important because if you go out and buy a 2000 dollar wide-angle lens and then NEVER use it because all you do is take photos of plant leaves and people’s faces, that’s a bad thing. A very bad thing. When you buy a lens you want it to serve a purpose. All of my lenses are integral to my photography. I constantly carry most of them with me because they all do different jobs that I actually utilize. This is key.

This does not mean you have to buy a unique lens for every single situation you may be in. This is the DREAM of course, but we are not all that rich (now I’m just thinking about all the new lenses I want!). All it means is that you have to think about the type of photography you enjoy, the type of photography you want to work on, and the type of photography you think matters to you.

Below I’ve made a general list of the types of lenses and what their most common uses are. REMEMBER: you don’t have to fit inside this box! I’ve used my 50 mm for nature or landscape photos; I’ve used my wide angle for close-ups; all sorts of fun stuff!

CANON NOTE

I am a Canon user, so I’ll leave a tidbit for my fellow Canonites, just in case. There are two main types of lenses: EF lenses, which are lighter and have plastic components. They work well but they are cheaper and therefore not professional quality. Then there are L lenses, which are heavier, have metal components, and take high-end photos, particularly for enlargements. They tend to be more (by quite a bit) but depending on what you will use it for it could be worth it to save up!

Lenses are super fun and creative and amazing and constantly changing with technology to be better and better. However, in the end the really fun and creative stuff is on your end!

Happy shopping, and feel free to comment with any questions! 🙂

PS: Because I am a Canon photographer I will be focusing on Canon lenses because that is what I know best. However, if you have something else just googling it with your camera type will often give you the equivalent!

REMEMBER: most telephotos can be used to get the prime lens ranges; the only difference is that their quality may not be as good. Also, using a prime is fun because it forces you, the photographer, to move your body around! Sometimes this is fun, also good exercise.

LENSES AND MOST COMMON USES

PRIME LENSES:

35 mm (f/1.8 etc) good for portraiture shots and low light situations

50 mm (f/1.8 or f/1.2) have to be a bit further away than 35 mm if taking portraits (can get about 2m from subject) — similar look though

85 mm have to go even further than 50 mm! up to 4m however a bit of a different focal length than the above (get more of surroundings around your subject)

100 mm although this is technically a macro lens it makes for great portraits! If you get one with f/2.8 or around there you’ll get a good background blur.

**NOTE: I’ve never noticed a HUGE difference between these; they are the standard prime lenses for “portraits” but as I’ve said before, they can be used for different purposes. So many people love 85; so many love 50.

TELEPHOTO LENSES:

17-55 mm is thought to be a good focal range for beginners, often the mm used the most in other telephotos! Canon has a good one with f/2.8 and IS.

18-55 mm  this is the one your camera normally comes with! Utilize it!

70-200 mm starting to go into the long end of the zoom but this is useful if you like getting a bit closer shots!) good for event shooting (concerts etc

18-200 mm I use a SIGMA lens for this; I like it for more wide angle landscapes which make for great dramatic shots

24-105 mm my favorite all-purpose telephoto if I don’t need that wide angle!

10-18 mm for wide angle shots only. If you’re a newbie I wouldn’t recommend this, only because it has such a narrow and specific range. Of course, if you LOVE wide angle and it is your PASSION then go for it!

MACRO LENSES: I know this is up for debate a lot, but Tamron makes the best macro lenses, pretty much. I am not sure about specs because I don’t have one myself and don’t do a lot of macro photography; this is worth researching more!

PPS: When you go into a camera store, don’t be shy! Ask them if you can test the lens out. This is important! Sometimes they hover which can be awkward. I hate looking at cameras or lenses. I get all anxious. But if I’m going to spend money, then you bet I’m going to try it out first. Think of it like buying a 2000 dollar coat; you wouldn’t NOT try it on before buying it, right? Have this mentality when you go! Even when just looking. You do not have to commit right away, remember. I usually float into a store 4-5 times before I buy something. No pressure, my friends.

NEXT POST: will be about camera bodies and WHAT IN THE WORLD that tiny writing even means on the labels in the store. I know I’m going a little bit backwards, but that’s okay! Just keeping y’all on your toes.


Portraits: Nathalie

This past week I went out to Delta in BC for a photoshoot with my friend Nathalie, who wanted to take some photos in her old high school graduation dress before she donated it! I love this dress. The way it looks with sun behind it and its material! So good!

It was great to see a familiar farming landscape in an area so close to were I live! Unfortunately I don’t think that it appears much in the photographs, but I just have to say there are treasure spots in this area!

My favorite location from this day was when we just took a random road and ended up at Deltaport, a huge port where trains and trucks line up for kilometers to deposit their cargo that gets shipped out. The tide was low and we explored out on the mud a bit. The best thing about photos is exploring new areas and seeing how they can add to the person in the photographs. All elements are important! I had a bit of trouble with the placement of the sun at 4 PM, but I got to try out my new external flash and it was incredibly helpful. 🙂

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_MG_1997

_MG_1983

_MG_1934

_MG_1921

_MG_1943

_MG_1905

 

_MG_1897

_MG_0072

_MG_0045

_MG_0034

_MG_0062 (2)

_MG_0043

_MG_2235

_MG_2215

_MG_2192

_MG_2176

_MG_1952

_MG_2160

_MG_2159

_MG_2113

_MG_2080

_MG_2050

_MG_2027

_MG_1946